Ray Barretto
Passed Away, Fri Feb 17, 2006
The Lost of Another Great Latin Music Giant...
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| New York, NY- Feb 17, 2006- Family spokesperson George Rivera announced this morning that Ray Barretto died at the Hackensack University Medical Center in Hackensack, N.J. at 5 a.m. Wife, Annette Rivera (Brandy) who had been a constant by his side since he was taken to the hospital late last month was taken home to rest. We will get more information from the family later. |
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For nearly 40 years, conguero and bandleader Ray Barretto has been one of the leading forces in Latin jazz. His hard, compelling playing style has graced the recordings of saxophonists Gene Ammons, Lou Donaldson, Sonny Stitt, and guitarists Wes Montgomery and Kenny Burrell.
Born April 29, 1929, in Brooklyn-New York, Barretto is one of the most prolific and influential Latin percussionists in the history of modern jazz. With a musical heritage as deeply rooted in the bebop jam sessions held in Harlem during the late-'40s as in his Puerto Rican ancestry, Barretto has spent over four decades refining the integration of Afro-Caribbean rhythms with the improvisational elements of jazz. Coincidentally, it was the tune “Manteca” recorded by Gillespie with Chano Pozo on percussion that drove Barretto to music. And it was a version of that same tune that became Barretto’s first recording with Red Garland.
Few artists have been as successful over the years at fusing these two genres as Barretto, an undisputed master of this style. A pioneer of the salsa movement, Barretto achieved international superstardom and released nearly two dozen albums with the Fania label from the late-'60s until salsa's popularity peaked in the mid-1980's.
Ray Barretto a.k.a. Hard Hands... a Puerto Rican jazz musician, widely credited as the godfather of Latin jazz. He is also the first Hispanic to record a Latin song which became a "hit" in the American Billboard Charts.
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Barretto's parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and at a very young age was influenced by his mother's love of music and by the jazz music of musicians such as Duke Ellington and Count Basie.
In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto met Belgium vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" with Cuban percussionist, Chano Pozo, that he realized his true calling in life.
In 1949, when Barretto returned home from the service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for Jose Curbelo and Tito Puente, for whom he played for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.
In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. New York had become the center of Latin music in the United States and a style called "Charanga" was the Latin music craze of the time.
In 1961, Barretto recorded his first hit, "El Watusi", the first Latin song to enter the Billboard charts. In 1967, he joined the Fania record label where he recorded "Acid", an experiment joining rhythm and blues with Latin music.
Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975 he was nominated for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records, including "La Cuna", and was nominated for a Grammy for "Barretto Live...Tomorrow". In 1979, he produced a salsa record for Fania, titled "Ricanstruction", which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as Conga Player of the Year.In 1990, Barretto finally won a Grammy for the song "Ritmo en el Corazon" (Rhythm in the Heart), which featured the vocals of Celia Cruz. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which has embarked in tours of the United States, Europe, Israel and Latin America. Barreto passed away 17 February 2006 at the Hackensack University Hospital of multiple health complications.
Discography
(may not be 100% accurate)
Time Was - Time Is (2005), Ray Barretto 50th Anniversary: Live in Puerto Rico (2004), Homage Art (2003) Bomba Bomba (2002), Trancedance (2001), Portraits In Jazz & Clave (2000), Contact! (1998), My Summertime (1996), La Cuna (1995), Latin Gold Collection (1995), Taboo (1994), Latino Con Soul (1994), Ancestral Messages (1993), Descarga Criolla (1992), Live in New York (1992), Handprints (1991), Ray Barretto (1990), Irresistible (1989), Hard Hands (1988), Aqui Se Puede (1987), Todo Se Va Poder (1984), Tremendo Trio: Celia Cruz, Adalberto Santiago & Ray Barretto (1983), Que Viva La Musica (1982), Rhythm Of Life (1982), Soy Dichoso (1981), Giant Force (1980), La Cuna (1979), Rican/Struction (1979), Can You Feel It? (1978), Gracias (1978), Energy to Burn (1977), Eye of the Beholder (1977), Tomorrow: Barreto Live (1976), Barretto (1975), Carnaval (1973), Indestructible (1972), The Other Road (1973), Cocinando (1972), Head Sounds (1972), Message (1972), Barretto Power (1972), Acid (1972), From The Beginning (1971), Together (1970), Hard Hands (1968), Fiesta En El Barrio (1968), Alma Alegre (1967), Soul Drummer (1967), El Ray Criollo (1966), Senos 007 (1966), Viva Watusi (1965), Mysterious Instinct (Akannaginnagi) Featuring Brock Peters (1965), Guajira y Guaganco (1964), Moderna De Siempre (1964), Swing La Moderna (1964), On Fire Again “Encendido Otra Vez” (1963), The Big Hits Latin Style (1963), Latino! (1963), La Moderna & El Watusi (1962), Pachanga (1962), Charanga La Moderna (1962), Cocinando Suave (1962), Barretto Para Bailar (1961) Ray Barretto can also be found on basically all the legendary recordings of "The Fania All Stars" |